Matt & Jane: Savannah Wants Both! | Magazine - Savannah Made Simple
Savannah made simple
Savannah made simple

Matt & Jane: Savannah Wants Both!

March 18, 2026

Savannah is not trying to decide what it is anymore. That question is settled.

It is not chasing polish, and it is not clinging to grit. It is not choosing between elegance and chaos. It wants both, and it wants them close enough that you can move between them without thinking about it.

That instinct is everywhere now. You see it in who moves here. You see it in who stays. And you feel it most clearly in the rooms that actually work.

Savoy Society and Pinkie Masters look like opposites. On paper, they should not share a crowd. In reality, they hold the same people, sometimes on the same night.

That is not an accident. That is hospitality done with intention.

Brett

Pinkie’s works because it knows exactly what it is supposed to be.

Matt Garappolo (Pinkie’s co-owner alongside Mike Warren) spent years watching it drift before stepping in. “I was a regular,” he says.

“The place was kind of being run into the ground. I just kept letting the landlord know I wanted it.”

“I love to drink there,” she says of Pinkie’s. “It’s one of my favorite bars in the whole world.”

That line explains more than a résumé ever could.

At Pinkie’s, Jane is not on display. She is not hosting. She is not directing the room. She is a patron. A regular. Someone who gets to disappear.

When the opportunity came, the goal was not reinvention. It was preservation. Pinkie’s did not need a concept. It needed care. Every role matters. Every inch matters. Nothing performs. Nothing apologizes.

Brett

A few blocks away, Savoy Society does something entirely different, and somehow the same.

The room hums. Vinyl spins behind the bar, not as decoration but as rhythm. Glassware catches the light. The shelves feel collected, not styled. Nothing is sterile. Nothing is trying to be precious. The bar is alive, and once you sit down, the night starts moving with it.

“Our intention has always been to make a place where people feel good being there,” Jane says. “Where they can settle in.”

Savoy is built for that settling. You come in for one drink and end up staying longer than planned, carried by the music, the cadence of the bar, and the easy mix of people filling the room.

“OUR INTENTION HAS ALWAYS BEEN TO MAKE A PLACE WHERE PEOPLE FEEL GOOD BEING THERE”

“Our intention has never been to be snobby,” she says. “We keep our prices fair. We want everyone to be able to come in and enjoy themselves. Some of my favorite nights are when there’s an eighty five year old man and his family having the best time, kids eating sliders and drinking water, and there’s just a huge mash of people.”

Matt knows exactly when the room is right. “That’s when you feel like it’s a good night,” he says. “A blend of everybody.”

That blend is Savannah.

It is the reason you can walk from a white tablecloth dinner into Pinkie’s without changing anything about yourself. It is why the same crowd moves easily between a carefully built martini and a PBR without irony. Savannah does not want to be one thing anymore. It wants range. It wants honesty.

Brett

That same understanding shaped Colleagues and Lovers, even when the city was not ready for it yet.

“We couldn’t even get people in the door for almost a year,” Jane says. “I think people thought, who do these people think they are?”

Savannah takes time. It watches. It decides slowly. But when it commits, it commits fully.

What Jane and Matt have built is not a style. It is permission. Permission to show up polished or wrecked. Permission to want beauty and release in the same night. Permission to move through the city without changing who you are.

“You’ll see people come from a fine dinner in a tuxedo and then go crush PBRs and Jameson,” Matt says. “That’s downtown Savannah in a nutshell.”

Jane feels rooted in that truth. “We love this city very much,” she says.

“This will always be my home base. I’m very proud to have these spaces here.”

Savannah is attracting interesting people because it allows complexity. It rewards rooms that do not force a version of you. Hospitality here is not about impressing anyone. It is about holding people where they are.

Savoy Society lets you arrive. Pinkie Masters lets you disappear.

Together, they explain Savannah exactly as it is.

And exactly as it wants to be.

Brett

 

 

About The Author

Brett

Brett Bigelow

 

 

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